Yang Jing

Yang Jing ‘s art…

The lucky one, 2004

“…I wanted to make the dolls’ postures look really affected. At that time I was really into lavish European decor, like the pre-revolution French style, just before the collapse – incredibly lavish and decadent.

I was obsessed with their gaudily colored joints. They symbolize innocence, hopelessness, existence without aspirations.”