Randy Noborikawa

Spectacular Lenticular Paintings by Randy Noborikawa.
(found @ My Modern Metropolis via Illusion, Juxtapoz)
Spectacular Lenticular Paintings by Randy Noborikawa.
(found @ My Modern Metropolis via Illusion, Juxtapoz)
David Lyle acts as both curator and painter, sifting through a vast array of lost snapshots from the 1950s 60s, and 70s found at thrift stores, garages sales, e-bay auctions and flea markets. His oil on panel painting mimic their found photo authenticity and achieving a sense of nostalgia and memory.
David Lyle‘s paintings.
(via Fecal Face)
Clean Suicide helmet by Sebastian Errazuriz:
“DO IT RIGHT or Clean Suicide uses the helmets structural properties designed to contain the brain in case of a huge blow. In this case he inverted the concept; the helmet has a perforated side and a real gun permanently attached so that the suicidal person can put the helmet on, close the visor and shoot his brains out. Thanks to the “clean suicide” helmet, none of the friends or family have to clean the bits and pieces of brain from the walls afterwards. His peculiar sense of humor and reality is a weird mix that people have learned to appreciate and celebrate.”
[via inspiremenow]
Continue Reading 2 Comments 2 responses
Magnus Gjoen‘s prints examines how to change peoples relationship and preconceived notions of objects. Something which is potentially extremely destructive can be made into beautiful yet fragile objects of art. It’s this misconception of beauty which Magnus Gjoen wants us to see in a different light, being it weapons, animals or the human race itself. […]
(via My Modern Metropolis)
Continue Reading 2 Comments 2 responses
Amazing works by Thomas-R: “Exploring the role of Artistic Provocateur, attacking the boundaries between graphic design & fine art by subverting and re-contextualising imagery with dramatic visual interventions. Confronting and critically re-appraising imagery in a visually saturated world.”