Works by street artist Aryz…

[via this isn’t happiness]

Street art by D’face in New York. Photos by Scott Beale…

[via laughingsquid]

“Together with Ekologi Brez Meja (ocistimo.si), Lukatarina and Eco Vitae we collected 40,000 used plastic bags and 7,500 used plastic cups from 12 kindergartens, 21 primary schools, 4 high schools and 3 faculties from the city of Ljubljana (Slovenia) and from more than 500 people from Ljubljana.

Plastic Bag Monster from Kongresni trg spreads its plastic tentacles through the streets of Ljubljana. It symbolizes the spreading of the consumerism and waste segregation. The monster itself has adjusted to the environment and therefore survived. It is supplanting us from the food chain. It just might succeed and it’s all up to us. It is reproducing with inconceivable speed and knows no mercy. It feeds on individuals’ sloth and irresponsibility.”

[via wooster collective]

Sickboy released of a limited edition collection of original, hand-painted replicas of his most iconic street work — the wheelie bin. Based on a decade’s worth of the artist’s global street activities, each model is an exact reproduction of the original wheelie bin Sickboy’s art appeared on.

Funny works by street artist OakoAk…

[via trendsnow]

Stickers: Stuck-Up Piece of Crap. From Punk Rock to Contemporary Art is a book by DB Burkeman with Monica LoCascio, published by Rizzoli.

“Whether you’re a punk, skater, graffiti artist, musician, clothing brand, political activist, fine artist, or just a fan of a band, stickers have always been the perfect way to express oneself. Stickers features approximately 4,000 stickers from the exploding, vibrant world of street art, DIY culture, music, and branding. Cheap, democratic, easy to “tag,” and not always fast to fade, the sticker has been an ever-present medium—from the New York and London underground punk scene to skate culture and political expression. Celebrating the graphics of this street-art medium, Stickers illustrates the timeline of this pastime, from counterculture to politics.
Stickers includes approximately 4,000 sticker graphics organized by categories and themes, with works by such diverse artists as Raymond Pettibon and Jenny Holzer; street artists such as Banksy, Neck Face, and Barry McGee; and amateur artists who “tag” the streets anonymously. With texts from artists and writers, including Swoon, Stanley Donwood, ESPO, Clayton Patterson, Carlo McCormick, and Michael Betancourt, Stickers illustrates not only the visual and social history of sticker art but also the personal relationship that street artists and pedestrians alike have with stickers. The book includes eight sheets of stickers, most of which are original works, by artists such as Barry McGee, Ryan McGinness, and José Parlá.”

[via hfa]